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Mad Max 2, also known as the Road Warrior, is simply put, one of the greatest action films ever created. It might even be one of the greatest films of all time, period, depending on your perspective. It is, at the very least, one of the most well crafted films in existence, one of the most well told, with clarity and coherence even amidst all the chaos the story provides. This is the one that made Mel Gibson a household name, and certainly one of the must download movies of all time.

There really aren't many movies out there that work so perfectly on so many levels. In the pantheon of action films, it's comparable to Robocop, and not much else. It's very strong, full of drama, action and, at times, humor and even tragedy.

If you haven't seen it, and somehow have no idea what it's about: Mad Max Rockatansky is a former cop wandering a wasted outback in Australia. Food and water have become scarce after World War III, as has gasoline. Max is trying to find enough resources just to keep himself alive from day to day as he wanders across the wasteland.

Throughout the previous film, Max lost touch with his humanity, becoming just as cruel and ruthless as the villains he pursued. This time, he needs to take a chance at redemption and at getting in touch with his humanity once more by getting involved once more with society, or what's left of it.

The movie is essentially one long chase scene, stopping here and there just long enough to give us a breather and some more character and story development. Of course, the majority of character and story is developed through the action, which is how it's supposed to be. Too often, action is only thrown in to get in the way of the story and put the viewer's brain on pause. Here, the action IS the story, just as it was in the days of the old westerns.

The movie is really all about the nature of heroism. It gets into the Joseph Campbellian concepts of mythology and comes out with a legendary story that many Australians consider "The Australian Star Wars" in terms of cultural importance. It is, of course, one of the national treasures of the Australian cinema, and one of the most successful films ever to come from that country.

The movie is really a western and deserves to be classified alongside films like Stagecoach and The War Wagon as one of the all time great action packed adventure films.

The movie is loud, spectacular, full of crazy characters and stunts, and, perhaps, one of the ten greatest films ever made, depending on how you evaluate films on a personal level. At the very least, it is one of the most well crafted and well told action stories of all time, and certainly belongs on your download queue if you haven't seen it yet.

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The Last Dragon is a film that was produced by Motown Records in the mid eighties as a sort of a Kung Fu comedy flick. It was really meant to promote some music from the company like Oh Sheila, but the flick has actually stood the test of time as one of the all time must download movies of the eighties. It's a lot of fun, it's kind of corny, and it works as an action movie.

The movie follows a young martial artist nicknamed Bruce Leroy as he teaches the kids at the local dojo and works at his father's pizza parlor, delivering pies on foot throughout Harlem. He also tries to maintain his composure while dealing with hsi rival, Sho'Nuff, the Shogun of Harlem... Yep. Sho'Nuff... He's the Shogun of Harlem, you see.

Sho'Nuff, the Shogun of Harlem, is really a cinematic treasure as far as great film characters go. He tries to egg Bruce Leroy into a fight so that he can prove, once and for all, who the strongest fighter in the city is. Every time he steps on scene, it's with a short speech, aided by his lackeys. "Am I the prettiest?!" "SHO NUFF!" "Am I the baddest?!" "SHO NUFF!" "Am I the meanest, leanest mofo around dis town?!" "SHO NUFF!" "SHO'NUFF! Da Shogun of Harlem!" He wears visor sunglasses, a samurai's hakama (those baggy pants that disguise foot movement), and shoulder pads, as well as a top knot... He looks ridiculous and he's just a joy to behold.

The only downside to the movie is the comparatively less interesting subplot revolving around a really, really awful Cyndi Lauper style singer and her manager/boyfriend who's trying to get her some airtime on a local music show, produced and hosted by Bruce Leroy's would-be-lover. This subplot isn't the most interesting part of the film, but fortunately it's not a main focus.

But regardless, it is funny, and it does pay off with a big brawl scene at the end when he hires all the meanest guys in the city to attack Bruce Leroy and his students. The end result is a really great rumble scene with Leroy taking on a few dozen hilarious, wild characters before finally beating Sho'Nuff and attaining "The Glow" which is what you call it when they draw a halo of light around your body frame by frame.

There are a ton of fun, corny eighties movie moments along the way, with Bruce Leroy seeking out an old Confucian master of wisdom; the guy who writes fortune cookies. When he discovers that the fortune cookie writer is actually a computer, he has a moment of zen like clarity.

Perhaps the movie might have been better without the relatively uninteresting subplot. After all, you just came for the kung fu, right? But nevertheless, it still remains a classic of its genre, and one of the few films to successfully spoof kung fu movies and honor them at the same time. It's really a lot of fun, with just enough corny eighties style goofiness to make it one of the all time classic eighties comedies.

So it's exciting, it's funny, and it has all the goofiness and colorful style you want from an eighties movie. Give it a download.

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